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MICRO short films (around a minute or so)

[Vintage Canon FD35mmf2 s.s.c concave + Metabone Speed Booster filming exercise]
Peter McKinnon’s PPK vs Blue Fin Tuna

[YOUTUBE]WVfS927zqG0[/YOUTUBE]



Shot entirely on Fuji XT4, with Canon FD35mmf2 (s.s.c concave) + Metabone Speed Booster

Film simulation: Eterna (standard setting)
White Balance: Auto (Locked)
Color Graded with Film Emulation Fuji Vivid 8543
 
How to fit a camera WITH top handle & shotgun mic mounted into a backpack

[YOUTUBE]YU2ccKzpJPs[/YOUTUBE]

So, this is how I fit my Fuhi X-T4, WITH top handle and mic still attached, into a backpack.

The “leather strip wrapped top handle” idea came from this video.
(Thanks Cammakey!)

https://youtu.be/7xzwIPikcBU?si=FTJj6_IMsUWpVkLj
 
[YOUTUBE]rQGjEUJqiNY[/YOUTUBE]

This one showed up while I was watching another video on YT, in my lunch break, so I stopped that video and watched this.
I REALLY enjoyed it.
 
I’m going to have to watch Blade Runner again. It has been a while.
 
Time to meet God
[Sicario inspired short film] Shot entirely on vintage Canon FD50mm f1.4

[YOUTUBE]cZMMZyCjmtA[/YOUTUBE]

[Disclaimer] There’s no firearms in this video.
Shot entirely on vintage Canon FD50mm f1.4 + Metabones Speed booster + Fuji X-T4
One lens, one location.
 
Trails of Dust (short documentary by Mark Bone) (NOT my film)

[YOUTUBE]PDz5quqeJsc[/YOUTUBE]
 
[Pro Sushi Chef mini documentary] Answering viewer’s question / EDC stuff

This is a video response to a viewer’s question.
A question asked by Daniel C.
“What kind of folders and utility knife do I use at work?”

[YOUTUBE]cV2KdECUNFM[/YOUTUBE]


Sorry about the intro, if you’re not into that kind of stuff.
(That was a mixture of 1967 French neo-noir crime thriller film by Jean-Pierre Melville “Le Samouai” (one of the Alain Delon’s best) and 1995 Michael Mann film “HEAT”.)

[Disclaimer] There are NO firearms in this video!
 
I’m thinking to do some documentary style interview video in the next month.
This is a sort of lighting , composition, and audio gear practice.

[Pro Sushi Chef mini video essay#2]
Restaurant closing… (and what pandemic has left us)


[YOUTUBE]V4Ro7MtT6bw[/YOUTUBE]


Everything has a beginning and an end. Life is just a cycle of starts and stops.
There are ends we don’t desire but are inevitable.

Do you know where did this line come from?
I’ll tell you at the end of this video.

So, the restaurant that I’ve been working for all these years will close, at the end of March.
 
Restaurant closed, life goes on, keep fighting [Pro Sushi Chef out of work short movie]

[YOUTUBE]lzYCYGdWEEc[/YOUTUBE]

1995 movie “Se7evn” ends with Earnest Hemingway’s quote, told by Morgan Freeman as detective Lt. Willman Somerset.
-Earnest Hemingway once wrote, “The world is a fine place and worth fighting for.” I agree with the second part.-

For some reason, I felt like this quote is utterly proper, for this video.

Restaurant is permanently closed.
Not only I no longer have a job, but also I have lost a space to store all my sharpening equipment, filming equipment, a place to shoot video … and, perhaps most importantly, a place to meet people.

Still, I keep going, keep fighting. Those who didn’t know our closure will probably be surprised a little bit, when they come to the place next time.
But, they will find me, eventurally. (That’s been the case, in the last 30 years or so.)

[Disclaimer]
There are NO firearms in this video!
 
How NOT to kick tail cowl while mounting on Ducati Monster S4R [Short Ducati Monster film for short riders]

[YOUTUBE]Wvr_urN20GY[/YOUTUBE]

NOT a riding technique tutorial video! More of a “stylized, experimental short film with romanticized “Born too late outlaw gunslinger back in the saddle” type of vibe.
 
Vespa’s dirty little secret

[YOUTUBE]JIMWiYOus5M[/YOUTUBE]


While I was eating today’s late lunch at the garage, there was a Vespa with the seat open (for charging battery). Then, I came up with the idea.
Very quickly shot with Fuji X100V (that’s all I had).
 
Yanagiba [experimental short film]

[YOUTUBE]OUxqBD_k7I0[/YOUTUBE]


Okay, so DON’T take this story seriously.
It’s 90% fiction.
I just wanted to do nonlinear narrative storytelling.

The entire scene was shot this morning, all by myself, while making my breakfast.
I was originally thinking to make my regular style video, but showing cooking footage on
Youtube is done so many times, and quite frankly, pretty boring.

So, I went to totally different direction.
Turned it into experimental short film.
 
How to do “Tilt-UP” shot while filming yourself, alone (NO gimbal, NO Helper)

[YOUTUBE]anKDx6rVHMc[/YOUTUBE]


[Disclaimer] There are NO firearms in this video!
This is how I shoot “tilt-up” shot, while filming myself, all by myself.
No gimbal required. Just need some imagination and creativity.

For the record, the scene was shot on Fuji XT-4 with Canon FD50mm f1.4 lens + Metabones speed booster.
BTS camera is GoPro Hero 10 + Polar Pro ND filter, ND 32 (which is a 5-stop filter)

Microphone is RODE video NTG, connected to TASCAM DR-10L Pro.
(On camera mic for scratch audio is Sennhizer MKE400.

This was shot for the opening of my main channel video.
[YOUTUBE]8x-ss7kjA_k?si=8eyksBK5cSXlZDFy[/YOUTUBE]


[inspiration of the opening]
Dirty Harry 1971 Don Siegel
Magnum Force 1973 Ted Post
 
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How NOT to drop your Ducati Monster at stop [Short film /Mini tips for short riders]





Mini tip video for short riders under 5’5”, 125lb.
Also, a short experimental film at the same time.

Well, I guess it’s more of a filmmaking exercise.

“The purpose of art is to communicate what the artist is feeling through their medium of work”

I have a (short) story to tell, and I have chosen this medium to tell that story.
(Meaning that I could have done it with text and illustration, for example.)

I don’t watch motorcycle videos on Youtube anymore, at all.

I've stopped watching them years and years ago.

So, I have no idea what's trendy there.

I don't think this video would appeal to the vast majority of the motorcycle video viewers on this platform.


It doesn't matter.
I don't care.

I just have a story to tell ... and a story begins with a guy on a motorcycle…
 

LegendaryCanon FD80mm F1.2 “L” lens image samples (including rack focus) and improvisedshort films





I optedto go showing what kind of image you can create with this lens,
rather than showing the lens itself and talking about the specs and history.


First short film (just about 60 second) is “one-cut, one location, one lens” style.This lens is PERFECT for this type of filmmaking, in my very biased and personal opinion.

2ndshort film was shot at my motorcycle garage, on the way back home right after purchasing this lens.

It ismulti-cut film, but shot on one lens, in one location.


Both of them were totally improvised, shot with minimal amount of gear, just by myself,and, most importantly, IMAGINATION.


As you can most probably tell, I’m a big, BIG fan of film noir, 1950s and 60s PI stories. (Okay, Raymond Chandler’s stories were technically late 1940s, so let’s include 40s, too.)


I’m really happy with this purchase.


[Note]

The camera is Fuji X-T4, all my FD lenses are used with Metabones Speed Booster.(So 80mm is an 80mm, not 80 x 1.5.)

In both films, no lights were used, other than candle light.

It’s all done by carefully placing myself (subject) and camera, thinking which way the light is coming from.



[Backstory]


DSCF2536by T K, on Flickr


So, I’ve been trying NOT to buy things I don’t really need for my day to day life.

And, to be honest, I’ve been doing pretty good.

(After March 31st, I’ve spent a whole lot less than befor…)


“Create,rather than consume”, someone on Youtube said that.

I don’t remember who it was… (could be Peter McKinnon, but not sure…)


But this one, I couldn’t resist.

The last day of my “2-month time off”, I was drinking my first cup of coffee in the morning, while casually browsing through Craigslist ads.

And, Isaw the title,

“CanonFD 80mm F1.2 L $695”


That particular ad was from Seawood photo in San Rafael, which is “kind of” my go to camera store. (Have been their customer for roughly 20 years or so…)

Five out of six FD lenses I own, I purchased from them, over the period of longtime. (I’m not a vintage lens collector, I’m a vintage lens shooter, so normally don’t actively look for some particular lenses on eBay, etc.)

I did some still photo test, too. I'll post it on photography thread.
 
How to switch between Arca-Swiss and Manfrotto, quickly and seamlessly(without swapping the plate)


How I use one camera for both still photos and videos, on multiple tripods, without swapping mounting plates every time I change tripod.

Basically, I just mounted Small Rig 2280 Arca-Swiss quick release clamp on Manfrotto place (Genuine Manfrotto plate), with universal cheese plate in between.

Somethings are so obvious when I look back, but didn't (couldn't) really see when I started this small project were ...

Some quick release clamps, such as SIURI QC-38, the "drop-in, lever lock" type clamps, are only compatible with provided Arca-Swiss plate.

800q-02_125170.png


This clamp looks nice in the photos, feels and works nice in your hand, but ...

It'll work ONLY with this plate. (That comes with the clamp.)
800q-07_125170.png


It is adjustable, but the range of adjustment is so narrow.
I tired Peak Design, Small Rig, Neewer, K&F, and some unknown plates.
Non of them would fit.

So I returned it.

Bought Small Rig 2280. Not the most elegant looking clamp, but it does what it needs to do.
61ZKgIAmZIL.jpg


Mounted on Manfrotto plate that came with 501HDV head.
Only to realize, when tighten down the mounting screw, the clamp jaw will not move freely.
Found cheese plate in the parts box, sandwiched it in between.

Talking about "Manfrotto" plates, I found that...

Anything that comes from Manfrotto will fit onto their head AND other brands' "compatible heads".

The plates that come with "other brands' Manfrotto compatible head" WILL NOT always work on Manfrotto head.
 
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Fuji X-H2 & Vintage Canon FD85mmf1.2L test short film] "The Outsider"






Totally unscripted.
It just happened while testing the camera and the lens.

Shot on Fuji X-H2 (Yes, H2. NOT H2S.) with vintage Canon FD85mm f1.2 L lens.
(And the camera is on also vintage Manfrotto 055XB PRO legs + 501HDV head.)

Shot in F-Log2

And because of that (shooting in F-Log2), I had to have VND PLUS 6-stop fixed # ND most of the time while shooting the video.

The camera is new to me. I purchased this as my "Photography camera".
But when I saw this bunch of goats on the hill, I had to shoot some videos.

Overall, I'm very happy with the camera.

If you are particularly interested in X-H2 (over X-H2S), look at the part the camera is panning. Can you tell the rolling shutter effect?
To me personally, this is perfectly fine.

(I really don't move the camera most of the time, actually. Let alone doing whip pan like "Whiplash", "La La Land".)
 
So, I regularly watch Luc Forsyth channel.
This film was mentioned in many of his previous videos, and it finally came out.

HIGHLINE (Short documentary film by Luc Forsyth)


Shot on very tight schedule, with very minimal gears and crew.
The reason I love his channel.
It's not about gear talk for its own sake.
It's all about the story.
 
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Best fanny pack for Fuji X100V , Anti-trend short film (first one minute)


I also hate EDC videos, and so-called “cross body sling style” wear of fanny pack.
It’s a coward way. I really don’t think it (cross-body sling style) is more functional than normal way.

Call it a man purse if you want.
This is as manly as it can get.
It holds full size 1911 or Glock, with room for two extra magazines.
Or, Fuji X100V with square lens hood and a few extra batteries, with quick deploy capability.
 
I’m working on the next project.
Teaser by T K, on Flickr

So,… I pulled a trigger, eventually.
After asking myself, again and again. “Do I really want to do this?” .
I was telling myself this is the last time, fully knowing that it won’t be.
There will be others.
There always will be….

Against my own better judgement, I decided to make this as a “short film”, instead of (more common) “How to(tutorial)” video.
But, just look at the screenshot above.
The lighting, prop blocking (it's out of focus, but a bag of Black Rifle Coffee "Silencer Smooth" in the background, and AeroPress Go), everything but the blade is underexposed (on purpose) ... this is not going to be tutorial video.
What I had in my mind was the opening scene of “Terminal List”.

Screw the YouTube popularity.
What I want to do is telling a story.)
 
Recreating “Blade Runner (1980)” scene, on ultra low budget


Disclaimer:
In compliance with the Code of Best Practices
in Fair Use for Online Videos,
this video comments on,
and shows copyrighted material for educational
and research purposes.


I made this about a year ago. But I took it down for copyright reason.
Warner-Tamerlane Publ Co. owns the copyright to Vangelis's Blade Runner music.
And they are really AGGRESSIVE.
“Fair use of copyrighted material” disclaimer won’t help.
Even though the music is so faint, it’s almost inaudible, the video still gets blocked.

I removed the original sound, and put different music.
See how it works.
 
Pro Sushi Chef’s life “The Dark Knight”


(Kind of) really short, 3-minute documentary, if you will.
Shot on GoPro Hero10 and 1st Gen. Sony ZV1, at work.
(The reason? I knew there would be no time to operate the cameras.
All I could do was to set the camera where they don’t interfere with other workers, and just keep it running until either the battery dies or SD card get full.)

It was a real nightmare to bring the colors closer to each other.
(They are still off, but, in the original footages, they were WAY off.)

Usually I’m all alone, filming myself without anybody around me.
So, this was totally different. NO control over anything, at all.


So, I decided to be “The Dark Knight”.
Even though, I was fully aware of all the disadvantages of this outfit.

I can’t see well.
The cowl cuts down the peripheral view.

I can’t hear well.
Tight fit cowl is completely covering my ears.

I can’t turn my head well.
Because the cowl is attached to the neck piece.

And the cape…
It gets snagged on the corner of the cutting board,
it gets trapped between the refrigerators door.
Still, I managed to work throughout the night wearing them.

Also, to be looking proper BATMAN, you actually need face paint, to make around your eyes black.
I know I have the face paint somewhere, but couldn’t find it.


With all these negatives…
Why “The Dark Knight”, then?

Because I like the characters that live in the shadow.
Dark, complexed internals.

It’s not who I am underneath, but what I do, that’s what defines me.
 
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Midnight Sushi Chef - Surreal Short Film


(You can’t live… like a character in the film)


Shot entirely in one location (in my kitchen), with one lens (vintage Canon FD85mmf1.2L), one camera (Fuji X-H2).
Using only Aputure MC and MT pro as the light sources.
Why was it possible? Because...
I shot entire film with 1/13 shutter speed (24fps), at f1.2 (except for the last scene.) plus I’m using Metabones speedbooster.
 
The last Day of Pro Sushi Chef (“Burning Bridges”)



Friends all tried to warn me
But I held my head up high
All the time they warned me
But I only passed them by

They all tried to tell me
But I guess I didn't care
I turned my back and
Left them standing there

All the burning bridges that have fallen after me
All the lonely feelings and the burning memories
Everyone I left behind each time I closed the door
Burning bridges lost forevermore

Joey tried to help me find a job
A while ago
When I finally got it I didn't want to go
The party Mary gave for me
When I just walked away
Now there's nothing left for me to say

All the burning bridges that have fallen after me
All the lonely feelings and the burning memories
Everyone I left behind each time I closed the door
Burning bridges lost forevermore

Years have passed and I keep thinking
What a fool I've been
I look back into the past and
Think of way back then
I know that I lost everything I thought I that could win
I guess I should have listened to my friends

All the burning bridges that have fallen after me
All the lonely feelings and the burning memories
Everyone I left behind each time I closed the door
Burning bridges lost forevermore

Burning bridges lost forevermore

By Lalo Schifrin, Mike Curb
“Burning Bridges”, Kelly’s Heroes, 1970 film
 
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